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Between the Visible
and the Invisible:
Awai

Yoshiyuki Izuoka   

Contemporary Textile Painter

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Artist Statement

Between the Visible and the Invisible: Awai

Form and abstraction.

Life and death, the everyday and the otherworldly.

Boundaries that appear sharply divided are, in truth, seamlessly continuous—a realm I define as Awai (the space between).

Through early setbacks and my unique color perception, I encountered the art of silk dyeing in New York. As dyes permeate deep into the silk fibers, they absorb light to create colors that release a subtle presence and atmosphere, transcending the purely visible world.

As an artist, I act as a catalyst bridging reality and the realm beyond; the artwork itself becomes the very presence emerging at that threshold. Through the shifting hues and natural fluctuations infused into silk, I invite you to explore the infinite possibilities that lie within the Awai.

Bio & CV

Selected Chronology

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  • 2025 Between the Visible and Invisible: Yoshiyuki Izuoka Solo Exhibition, Art Ai Kisa, Miyoshi, Hiroshima

  • 2017 Three Artists from Japan and Korea, K Gallery, Haeundae, Busan, South Korea

  • 2017 Selected Artist-in-Residence (16th Term), Yachiyo-no-Oka Museum of Art, Akitakata, Hiroshima

  • 2014 Awarded Special Prize, Busan Art Biennale, Busan, South Korea

  • 2008 Group Exhibition The World Drawn on Fabric: Textile Dyeing Exhibition, Hatsukaichi Art Gallery, Hatsukaichi, Hiroshima

  • 2007 Group Exhibition Winds of the East, SOMArts Cultural Center, San Francisco, USA

  • 2001–2002 Awarded Prize, World Picture Book Exhibition, Matsuzakaya Department Store (Ginza, Tokyo) / Toured to Toronto, Canada (2002)

  • 1997 Returned to Japan; Held first solo exhibition in Hiroshima

  • 1995 Apprenticed under Md. Salleh Bin Dawam, Western-style painter whose works are in the permanent collection of the National Museum of Malaysia; Malaysia

  • 1989 Graduated from Hiroshima Prefectural Kannon High School (Forced to abandon aspirations for fine arts university due to color vision deficiency)

  • 1978 Inspired by Impressionist masterpieces at the Hiroshima Museum of Art; Resolved to become a painter

  • 1970 Born in Hiroshima City, Hiroshima Prefecture, Japan

Solo Exhibitions

Domestic (Japan)

  • Hiroshima Mitsukoshi (Hiroshima)

  • Kokura Izutsuya (Kitakyushu)

  • Nagoya Sakae Mitsukoshi (Nagoya)

  • Daimaru Fukuoka Tenjin (Fukuoka)

  • Hanshin Department Store Umeda Main Store (Osaka)

  • Tokiwa Head Office (Oita)

  • Yonago Takashimaya (Yonago)

  • Yamakataya (Kagoshima)

International

  • SOMArts Cultural Center (San Francisco, USA)

  • K Gallery (Haeundae, Busan, South Korea)

  • Solo Exhibitions in Malaysia, and others

Public & Private Collections

Public Collections

  • United Nations Educational, Scientific and Cultural Organization (UNESCO)

  • Municipal Museums of Art

  • Public and Private Hospitals

  • Luxury Hotels

  • Premier Department Stores, and numerous others

Private Collections

  • Extensively held in private contemporary art collections both across Japan and internationally.

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© 2026 Yoshiyuki Izuoka

LastUpdate   6/18 2026

サイト上の画像その他一切の無断複写・転載・転用・改変・編集・加工・販売・公衆送信・リンク等の行為を固く禁じます。あらゆる作品・写真・テキストは、別段の表示がない限り、すべて出岡由行Yoshiyuki Izuokaの著作権により保護されています。
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